Florida Music Festival 2006

The 5th Annual Florida Music Festival is coming to downtown Orlando soon this week - May 18th-20th. Similar in scope to Austin's SXSW but without the chaos, FMF2006 promises 3 full days of incredible music being showcased by more than 250 bands performing in over 15 Venues = 20,000 Music Fans! Attend digital media panels by industry experts, rooftop VIP industry parties with more than 300 labels as well as network with major label representatives from Atlantic, Columbia, Island, RCA and attorneys from some of the largest firms in the country...

RAIN SUMMIT 2006: Pandora Presentation Video

Here's a nice overview of Pandora, given at the RAIN Summit last week in Vegas by CEO and Founder, Tim Westergren. The site also has several other cool on-demand streaming videos offered in windows media format...Average length is 10-20 minutes with an impressive quick/smooth playback :-)

RAIN: "CARP"(Royalties) Update
RAIN: How Internet Radio Can Help the Music Industry
RAIN: The Future/The Big Picture
RAIN: Interview with David Goldberg

Napster Goes Web-based!

In a surprise twist of events, I learned over the weekend (from Rafat and David's post) that Napster has tweaked it's consumer offering to evolve into a web-based music service which now operates using any web browser instead of a clunky client download. One major benefit of this approach is that they instantly gain more market share by simultaneously hitting the Mac and Linux camps... A little late to the party since AOL's Music Now and Real's Rhapsody are already doing this - but I predict that Apple will follow this road eventually too...What does this all mean? Well, in a nutshell, the new Napster is now offering FREE listens to any of its 2 million songs - the catch as a non-paying "member" is that you're limited to only 5 listens of any particular song and the streaming tracks are lo-fidelity and highly compressed (they sound like mono too!) Banking on the fact that most people like to try-before-they-buy, Napster is betting on acquiring more subscription customers who will get addicted to the ease of use and vast selection and then eventually spring for the monthly fee. This was a smart move and shows that the management team is paying attention and not afraid of change!

Now if the technology is already there to track usage per song by each "member" - one would think that eventually some of these streaming royalties being paid to the PRO's (i.e., ASCAP, BMI, SESAC) would eventually find their way to the individual artists whose music is being played!?

What Is The PERFORM Act?

Even though it's only a draft bill, the answer to that question depends on which side of the fence you sit on with respect to music licensing reformation :-)

Below are my favorite quotes fom copyright/technology attorney Bob Schwartz cross posted from Public Knowledge's Gigi Sohn.

• "It is simply wrong for the government to freeze innovation by banning new technologies and features that are desired by consumers."
  
• "The RIAA is already being well compensated by the satellite radio industry. XM and Sirius already pay the record labels tens of millions of dollars in performance royalties. In addition, under the Audio Home Recording Act of 1992 ("AHRA") satellite radio pays the record labels up to $8 for every digital radio recorder sold. RIAA's demand to be paid a third time reflects either greed or their simple desire to shut down a new technology."
  
• "It bans the sort of private, noncommercial time-shifting that Americans have engaged in for decades."
  
• "This bill is nothing more than the recording industry using Congress to gain leverage in private negotiations."
  
• "The PERFORM ACT harms American consumers, the technology industry, and private, noncommercial recording rights."

Read the whole 8 pages HERE...

RealNetworks Granted Another Streaming Media Patent

RealNetworks announced yesterday that it has received a fundamental patent for streaming media technology and applications. The "Click-to-Stream"patent covers innovations going back to November 30, 1994, more than four months before Real introduced RealAudio. It also covers the core methods used when consumers select links to stream audio-visual media via webbrowsers and other media players.

Click-to-Stream joins a portfolio of over 35 patents related to the world of Internet media delivery. Real has more than 100 additional patent applications pending relating to digital media technology and services and continues to lead the paid content market - with more than 2.25 million paying subscribers for premium services as of the end of 2005.

"The "Click-to-Stream" patent covers the core methods used when an end user selects a digital media asset (audio and accompanying video or other metadata) to be played, causing digital packets of the selected digital media to be transmitted over an Internet Protocol network and received by the end user's playback device when playback begins prior to delivery of the entire digital media asset to the consumer's device. The patent applies whether the digital media is played back on a personal computer, mobilephone, or other hardware device. The patented "Click-to-Stream" method is most commonly initiated when an end user accesses media links from web browser pages, embedded multimedia advertising, and links managed by network- enabled software media players."Rob Glaser, chairman and CEO of RealNetworks stated "This fundamental new patent recognizes our breakthrough innovation, and provides Real with an exciting opportunity to expand the Helix Community's role as the centerpiece of the digital media marketplace."

Senate Judiciary Committee Hearing on Digital Radio

Mark Lam, Chairman and CEO of Live365, will testify tomorrow at a U.S. Senate Judiciary Committee hearing on digital radio entitled "Parity,Platforms and Protection: The Future of the Music Industry in the Digital Radio Revolution ". According to DiMA's website, Lam will discuss the challenges facing Internet radio and will urge the Committee to help create a level competitive playing field for broadcast, cable, satellite and Internet radio by:

- Legislating royalty and programming parity among all digital radio services

- Protecting recording artists and copyright owners from radio services that promote and profit from consumer recording of their programming

- Resolving the longstanding dispute over the meaning of "interactive service" so that consumers, online radio services and recording artists can maximize the benefits of blending Internet technology and radio programming.

It seems that Lam and others are hoping to amend the Copyright Act so that it no longer favors broadcast, cable and satellite radio...Perhaps it's time terrestrial broadcast radio pays their way like everyone else? Maybe then we'd get a quicker resolution :-)

Internet Sound Recording Royalties

Here are a few links to some illuminating documents from the Digital Media Association's website (DiMA). Taking the time to read these cleared up a lot of questions I've been having recently regarding the current rate structure for Sound Recording Royalties and how artists are getting paid for the online broadcasts and performances of their music...

• Internet Radio Royalty Arbitration FAQ
• DiMA Seeks Competitive Royalty Rates for Internet Radio

CD Baby Partners with Worldwide One-Stop SUPER D

This exciting announcement was released last Friday but is still under the radar (thanks Coolfer!) Continuing the tradition of enabling and emancipating indie artists, Derek and crew are raising the bar for independent music distribution by making their entire CD catalogue available to retailers on a global scale. According to the press release, the exclusive distribution agreement includes CD Baby's 160,000 titles, comprised of 128,000 artists, which will now be available to augment Super D's current in stock selection of 216,000 titles - representing product from 24 countries. The major benefit of using a one-stop is simplified purchasing via a single source. I'm personally glad to see that another antiquated and time-honored barrier to entry (ACCESS) has been removed for the independent sector - which will hopefully lead to improved consumer selection, increased physical sales and revived distribution of quality music...

Hollywood Is Getting It!

I was pleasantly surprised to read today in a Strategy Analytics email that the produers of the recent King Kong remake decided to release the movie simultaneoulsy on DVD and for Download - even if only in the UK. "Although independent and back-catalogue movies have been available via download before, Kong marks the first time that a Hollywood studio (Universal Pictures International) has allowed a major hit title to be released simultaneously on both DVD and through the online channel." Very smart and only a small glimpse of things to come...I think that the content cannibilization argument will be seriously tested in the coming months and the eventual results will show that more sales actually result in this type of dual-distribution-approach...

RivBea Orchestra Relases New CD - AURORA

A few years ago in the mid nineties, I had the esteemed honor and pleasure to be a regular member of the Rivbea Jazz Orchestra, directed by Sam Rivers. This ensemble is a unique 17 piece band that plays avant garde jazz written exclusively by by the legendary saxophonist and composer Sam Rivers. The music from his latest Aurora CD (which I happen to play trumpet on) was recorded and mixed at FullSail's Studio B and was officially released last week. The CD is not for everyone, but is truly world class in its infectious grooves and daring improvisations. Since Sam's last CD was nominated for a Grammy - I've got my fingers crossed :-)
(I will post later to tell you where it's commercially available, since it's officially an "indie" release and has no major distribution...Hopefully, Rhapsody, CD Baby, mp3.com iTunes and Amazon will add it. )

Music Business & Technology Lecture

Today I gave a presentation to Rollins College Music Business students and set a new talking record within my allotted 70 minutes. It was refreshing to see the student body so familiar with the confluence of digital media on the web. We covered a lot of ground, so I'm posting this Powerpoint for the students to review. (It is 8 MB's......Enjoy !)

Interesting Podcast Stats from eMarketer...

"Clearly more than a passing fad, podcasting experienced nearly fivefold audience growth last year. Fuelled by the addition of video and consumer enthusiasm for any medium that facilitates consumption "anywhere, anytime," this rapid growth is certain to continue, though not at the exaggerated rate claimed by many enthusiasts." For $695, they'll even Fed-Ex you a copy of the report...

• eMarketer states that the US market for podcast audiences is projected to grow to somewhere between 20 million and 80 million by 2010, depending on the source.
  
• Today's podcast audience is roughly 10 million, with expectations that it will more than double to 25 million by 2008 and double again to 50 million by 2010 (again, depending on the source, the projected numbers vary).
  
• Over 3 million people download an average of one or more podcasts per week; that number is expected to grow to 7.5 million in 2008 and 15 million by 2010.
  
• Podcast advertising is growing exponentially as well, with spending in this category to reach $300 million by 2010.

Lime Wire To Launch Content Filtering System

Lime Wire is launching an experimental Beta Filtering System. According to the website, "Filtering enhances our network as a safe place to share content and information while respecting the concerns of copyright owners. Based on filtering requests from artists and copyright owners, the Filtering System prevents users from downloading, uploading and querying selected files on LimeWire."

In the Filtering System, copyright owners identify files that they don't want shared and submit them for inclusion in a public list. LimeWire then consults this list and stops users from downloading the identified files "filtering" them from the sharing process.

Lime Wire's Filtering System is in experimental mode and they kindly ask for your patience as they continue to improve their filtering infrastructure. In light of logistical restrictions, Lime Wire cannot guarantee the outcome of a filtering request, but they pledge to make a best effort attempt to meet copyright owner filtering requests. Limewire states that "they are working to make the Filtering System as effective and error-proof as possible..."

More Users Opt for Free VoIP

In-Stat recently released news that it finds that among VoIP providers, those offering FREE PC-based applications are currently more popular than those offering broadband IP telephony service. I'm not surprised...In-Stat's survey results, show that Vonage, a for-fee broadband IP telephony provider, had the greatest number of users, however, the other top four providers offered free PC-based VoIP applications.

• Vonage accounts for nearly one-third of respondents using a broadband IP telephony solution and is the definitive market leader.
  
• Yahoo, Skype, and MSN were respectively the top three providers of PC-based VoIP applications. Among PC-based VoIP providers, Yahoo and Skype are the market leaders based on the In-Stat survey, both with over 20 percent of respondents. MSN is the only other provider accounting for more than 10 percent of respondents.
  
• AT&T and Verizon both accounted for roughly 15 percent of respondents and other broadband IP telephony providers accounted for less than 10 percent.
  
• Most providers account for less than 10 percent of respondents, demonstrating the fragmentation of the market in which no one solution yet dominates.

Will The New Sirius s50 Royalty Ever Really Reach Artists?

Sirius Satellite Radio recently reached an agreement with three major labels (Warner Music, Universal Music, and Sony BMG) related to its new S50 portable player, which allows users to digitally copy/record individual songs from the various channels. [However, it's important to mention that the music files aren't portable...]
Anyway, as part of the reported resolution, Sirius has agreed to pay an undisclosed "fee per unit" royalty to Warner and Universal for every S50 sold. Understandably a necessary move on Sirius' part, but I'm confused - how does this benefit the artists? How can you split that royalty up to the hundreds or thousands of songwriters involved? Who will have access to this new pool of money? To be more equitable, shouldn't there be a royalty paid per copy? I mean come on now, make those computers count the bits! We're a little more advanced now than we were with DAT machines...
Anyone else think this is a joke too?